Totes les traduccions

Rozpalasz we mnie ognisko
Odchodzisz ...
Musi długo dogasać ...
Nie chcę mu pomóc
Nie chcę patrzeć na szary popiół...!
Nie chcę czuć pustki i tęsknoty
Za tym co było i może już nie być więcej

Nie chcę dawać Ci wszystkiego
Żeby wszystkiego nie stracić
Nie chcę mówić Ci wszystkiego
Nie warto ...

ChcÄ™ tego co i Ty-
Twej obecności i bliskości
Twej pamięci
Męskiej pasji
Twego zachwytu ...

Basically I have had gay friends and it doesn't bother me. I respect them as everyone has the freedom to make one's own choices and have his own attractions. I don't get any buzz from seeing guys and I wouldn't be into receiving or giving, it's just not my thing. I know I have never tried it, but this is not something that turns me on.

Oni su ljudi

Ti si Lud

Jeta ime vdeksha unë për ty.

Nada se cria,nada se perde,tudo se transforma

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"When There is More Beauty in the Contrary", Negar and Salim's single released on 1/1/11, is an oud and electric guitar instrumental. It is a portrayal of ancient east versus modern west.

"Combining traditionally dissimilar forces into one cohesive composition", this song reflects its composers' backgrounds in Persian contemporary and progressive rock genres.

"Abrahadabra" is a reflection of my exaggerated personal feelings. It is the first endeavor to my idea of “pictorial rock” - i.e. composition of sounds that recite a sequence of mental pictures. Actually all of these instrumental tracks have a real-life story behind them. There are very vague allusions to these stories in the CD booklet. e.g. “Route” is the story of a death ceremony and recites the mourning over the dead in a way that is done in eastern culture. Or “Told to the Bird” is the story of my own confession to a bunch of flying birds in a ritualistic way... In one sentence, while composing this album, I felt very lovesick, idealist and outraged.

Sie schreibt deutsch ....

You just see right through me, 
but if you only knew me

As I came to Earth in 1981, I involuntarily came into contact with human race. Except for a few bright encounters, I found the rest, dark and ugly. “Human Encounter” is my diary of these encounters. This album is divided into two categories:

The “dark side” reflects the ugly experiences. I noticed that human beings have a tendency to call everything by a name and misunderstand it later. So I do not care what they may actually mean by a word like "evil"; but no doubt human beings themselves are the main source of terror, pain and destruction on Earth.

The “bright side” reflects the pleasures I encountered in this planet. I say no pleasure happens on Earth without a human medium; so the corresponding songs are dedicated to individual human beings. Of course at first sight, Earth seems physically alluring, but those are only temporary characteristics. The only immortal thing is what a man creates.

Now that I am departing this planet, I will only miss a few people like those I named in the “bright side”... Let the others putrefy in the abyss of time.

In Ustuqus-al-Uss album I somehow inclined to jazz fusion and classic instrumentation. I think the eastern “blend” still dominates e.g. in “Ustuqus-al-Uss-al-Avvalin” which I think is the most progressive song I have ever composed (The second catchy guitar solo is performed by Pouyan). Some songs are extremely personal e.g. “Naught been I thou” which is an off-beat jazzy tune with unusual dance elements... These songs are my utmost fears and hopes - to a degree that made me mute from communicating by words. And thus they become instrumental sounds...

I dream... and dream... and dream...
I live in my world of fantasy.
Walking in this world, I compose as I hear, and rest as I quiet.
Pictorial rock is a term I use for my music that is usually based on series of mental images, a nightmare or maybe dreams of a sound sleep... As a listener, you have to wait for the pictures to materialize in your mind!

The fear of failing, makes a win impossible! Never give up!

Jag pratar inte franska, men jag gillar språket. det låter så sensuellt

At kæmpe for det man tror på kan tage tid.

kardes maalesef göremezsin, cünku o anda hatun kisinin bitmek tükenmek bilmeyen fotograf cektirme rahatsizligina elimdeki cep telefonuyla bi son vermeye calisiyordum

Salim has dedicated a song entitled "For Jeremy, Embodying the Mastermind" to Jeremy Brett in his 2011 album, Human Encounter.

Volim i ja tebe, dušo moja najmililja, najviše! Ti si mi sve, srce moje!